The #Coronavirus chronicles, part 23: Learning songs in a new language #COVID19

Before I get into this article, I need to direct you to a few other articles that I wrote, all of which are directly relevant to what I’m about to write. You will likely not understand some of the references in this article unless you read these other ones first (or are friends with me on Facebook, in which case you can skip these). Give them a read (or at the very least, skim through them), then come back to this one. Go ahead. I’ll wait.

Back yet? Okay…

This morning, a friend of mine PM’ed me with this: “it would be epic to see LOTD in Korean.”

I sent him back this reply: “challenge accepted!”

So, I looked up K-Pop songs, and I came across this video. I will freely admit that what caught my eye was the artist’s name (take a look!). I listened to the song, and as it turned out, it’s a really pretty ballad that’s relatively close to my own writing style. I might end up buying some CDs (yes, I still prefer buying CDs, even if I do rip everything to iTunes) from this artist.

I ended up using the first four lines for my Lyric Of The Day (and I’m posting this mostly for my own reference and learning purposes).

"나를 사랑하는 법은 어렵지 않아요
지금 모습 그대로 나를 꼭 안아주세요
우리 나중에는 어떻게 될진 몰라도
정해지지 않아서 그게 나는 좋아요..."
-- Roy Kim, "Only Then"

(If you’re dying to know what this says, here it is in Google Translate. And if you want to hear it, check out the video.)

I was never a fan of pop dance songs. When I first heard K-Pop songs and saw related videos, my initial impression was that K-Pop songs were primarily pop dance songs, so I haven’t given the genre a lot of thought. This video that I found changed my mind.

It got me thinking: what would it take to write a song that’s not in my native English? There is some precedent for this; probably the most famous example is Ritchie Valens singing “La Bamba.” It would be a challenge for me; I’m still learning Korean (although I’ll admit that I haven’t been pursuing it as aggressively lately), and I’m far from being able to read it quickly or being able to carry on a conversation. Nevertheless, the idea is intriguing, and one that I’m considering.

This idea is making me consider several things. First, it’s encouraging me to get back into my Korean language lessons. Second, it’s making me want to revisit my songwriting and MIDI recording endeavors. Third, it’s inspiring me to break many bad habits directly related to pandemic fatigue.

And, if nothing else, it’s sparked an interest in K-Pop with me. I guess I’m going to have to go buy some K-Pop CDs.

#TheBestOf… Bringing the world together by telling us about your special world

A wandering mind can be a dangerous thing. 🙂

If you’re a ‘blogger who’s looking for something to write about, read on. Perhaps this will give you an idea.

This afternoon, I was doing a mundane, household chore (specifically, I was washing dishes and doing some cleaning in the kitchen), and whenever I do mundane chores like that, of course, my mind tends to wander. So today, I decided to write about what my mind was wandering about.

I don’t know what sparked this idea — maybe it was because I had Andrew Zimmern’s Delicious Destinations on the TV in the background. First, a little background. As a first (or maybe it’s second — I never know how these things work) generation Korean-American, I tend to appreciate cultural diversity. I love experiencing cultures and traditions that are not my own. I enjoy traveling, and I wish I could do more of it (only the lack of time or money — usually both — and these days, the COVID-19 pandemic — keeps me from doing so). I have friends and family around the world — maybe not as many as other people who’ve traveled more than I have, but nevertheless, I have friends I’ve made either by friends I already knew who have relocated to other countries, people whom I’ve met through my association with SQL Saturday or other PASS-related endeavors, or through work or school.

I also thought about things to bring the world together. I don’t need to tell you how divisive the world is these days. A while back, I wrote an article about bringing the world together. I started thinking of a way to do that.

So with all that said, here’s the idea that my wandering mind cooked up.

Let’s say that you have a friend from a foreign country or culture — one that is not your own — over to your home area for a visit. You want to show him or her the best of what your culture or your home turf has to offer. What do you show or tell him or her?

Personally, I would like to show my friend everything that my home state of New York has to offer — New York City, Niagara Falls, the Finger Lakes, apple picking, the Adirondack wilderness, Buffalo chicken wings, the Baseball Hall of Fame, music, county fairs, festivals, historic sites, etc. There’s a lot here to show off.

So, I’ll write an article now and then (usually whenever the mood strikes me) in which I talk about something — whether it’s a place, an art, a sport, a food, whatever — that is significant to me, and I’d like to show off to a visiting guest. I’ll precede these articles using the hashtag #TheBestOf followed by whatever I’ll write about (e.g. “#TheBestOf… Baseball” or whatever).

Here are some ground rules for this project. The topic — whatever it is — is something special or unique to me that I think a visitor would appreciate. It can not be divisive, disrespectful, or disparaging — partisan politics, for example, is verboten — unless it’s within the context of something historically or culturally significant (e.g. Benedict Arnold’s role in the American Revolution, etc.).

And if you’re a ‘blogger and would like to take part, knock yourself out. The best way to think about this little project is to pretend you’re a travel writer describing your home turf or culture. I would enjoy reading about what makes your world special, and what you’d show off if I came over to visit. If you’d like, feel free to refer to this article for reference or context.

Let’s see how this goes. If you’d like to take part, great. If not, no worries. For all I know, this might be the only article in which you’ll see this hashtag.

Have fun!

The #Coronavirus chronicles, part 19: Revisiting MIDI sequencing and songwriting #COVID19

Years ago — another lifetime ago, it seems — I was a songwriter. I actually had several demos that I put together (you can listen to them here), and I had a few friends who helped me put them together (mostly because I don’t play the guitar, and I can’t sing worth a damn). My idea was to put together songs in my own living room under the guise of a “band,” similar to what Tom Scholz does with Boston. I attended songwriting workshops, and I even entered a songwriting contest in which I received Honorable Mention recognition.

Had I pursued this endeavor more vigorously, it’s entirely possible that I could be making a living off my music, rather than pursuing a career in IT and writing professional development ‘blogs. Alas, as John Lennon once famously sang, “life is what happens to you while you’re busy making other plans.” My “band” lost touch with each other and went on with their own separate lives (one of them actually died tragically). I went to grad school, got my Masters degree (in a field unrelated to music), got married, and went down the technical career path on which I continue to this day.

Although it’s not the main reason why I stopped making my own music, one of my big deterrents was the tools at my disposal. I had a MIDI sequencing setup that utilized a Kurzweil Ensemble Grande piano (the original model), a Kawai G-Mega sound module, and a Macintosh SE running Trax. It was a setup that worked very well. It was very easy to use, and it did what I wanted it to do.

Unfortunately, it also started showing its age (when was the last time you saw a Mac SE?). I still have the Kurzweil piano and the Kawai module, and even though they’re about thirty years old (maybe more), they still work. The computer, however, was another story. The screen built into it was starting to fade, and it was clear that it would eventually get to the point where it would become unusable. So I pulled as many MIDI files off of it as I could and transferred them to my PC.

I also managed to get a copy of Trax for the PC, but as I upgraded my PCs, my version of Trax became incompatible. I looked into getting another MIDI sequencer — and that’s where my problems began.

I had purchased a copy of ACID Music Studio (at the time that I bought it, it was a Sony product). I liked (and still like) using it for mixing and mastering, but I still preferred using Trax for creating my MIDI sequencing data and importing them into ACID.

When I tried recording MIDI data, I kept running into problems, neither of which I was able to resolve. Either…

  1. my computer kept blue-screening, or…
  2. I kept having massive (and very nasty) latency issues.

Unfortunately, these issues (especially the latency) became so bad that it discouraged me from working on them. I set them aside and never got back to them…

…that is, until last night. Last November, I bought a new laptop, much better than any machine I’ve previously owned (although I did need to install a new hard drive in it). Additionally, I bought a new MIDI interface a few months ago; it turned out that my old one was not compatible and no longer supported. And I upgraded my copy of ACID a while back; even though I had originally bought it 20+ years ago, when I went to the vendor‘s web site, I was happy to see that my software license was still valid, which allowed me to download an updated version.

So now, my setup consists of the following.

  • HP Pavilion x360 laptop running ACID Music Studio v.10.0 on Windows 10 Home
  • Roland UM-ONE MIDI interface
  • My thirty-year-old Kurzweil Ensemble Grande piano (hey, don’t knock it — it still works, and I love that I can use a full-sized piano as a MIDI controller)
  • My nearly-as-old Kawai G-Mega MIDI sound module

I spent last night (I was up until 1:30 am!) experimenting with my setup. The computer remained stable, and I did not experience any serious latency issues. After being away from it for several years, it looks like I have a working MIDI setup once again!

However, the setup wasn’t without its problems.

  • As I mentioned above, I created my MIDI sequences in Trax and imported them into ACID. I’d forgotten about this when I tried creating and editing MIDI sequences directly in ACID, and couldn’t figure out why I wasn’t able to (easily) do what I used to be able to do. It turned out that I was accustomed to creating them in Trax. I should be able to do them in ACID, but I’m finding out that there is a steep learning curve involved. I might look into getting another easy-to-use sequencer; the thought of investing in a new version of Trax has crossed my mind.
  • One thing missing from my setup: a good audio interface. As anyone involved in recording can tell you, you don’t want use the default input to record audio directly into your computer; it makes for poor sound quality. I have a Lexicon Alpha which has served me well, but while tinkering with it last night, it suddenly stopped working. I reinstalled the driver and rebooted the computer (several times), all to no avail. The website says the Alpha has been discontinued, and although the driver is supposedly Windows 10-compatible, my machine would not recognize it after several restart attempts. I’ve resigned myself to the fact that I may need to invest in a new one. If anyone has any suggestions for a good audio interface, feel free to comment below.
  • I still can’t sing or play the guitar to save my life! Anyone who can do either (or both) want to help me make demos?

It’s been several years since I worked on my own original music. Now that I have a working (albeit clunky) MIDI sequencing setup once again, I can return to a hobby that I once loved but abandoned years ago.